Friday, May 4, 2007

Media Representations, Violence and Response

A person on my friend's list on Livejournal, posted about violent media leads to violence. I didn't respond there because, well, you've got to choose your battles and I doubt I could have said anything to change her mind (and, as a matter of fact, since I originally wrote this, I did respond and, lo, I did not change her mind). I am also going to act as though the idea that violent media leads to real violence is largely a dead issue, because it is. At best, no bad research finds that amongst children under 12 years old that there's a weak correlation between media violence and real violence. Likewise, studies of actually violent people – or, at least, people who are violent enough to get put in jail or prison for their violence – massively underconsume media of all sorts, including violent media. When studying people who are actually violent, the correlation is between not consuming violent media and violence, and the general trend is the more media a person consumes the less likely they are to be violent. (For what it is worth, I think that the reason people who consume more media are less violent, or in prison less, is due to the fact that media consumption is a form of consumption. People who can afford to consume anything in quantity tend to be rich, and both have less reason to be violent and have better lawyers when it does happen.) So, in my book, the issue is largely dead.

What surprises me is how tired and worn out this argument is! Plato wanted to outlaw theater because writers and actors were “liars”. Augustus did outlaw theater, because it promoted “immorality”. The Roman Catholic Church forbade whole swaths of musical types – mostly things involving rhythm – on the grounds that music leads to sex (or, perhaps, that music leads to dancing that leads to sex). You take any time and you'll find people who want to stop other people from making the “wrong” kind of art – they'll want to shut up hip hop artists, burn Harry Potter books, stop kids from playing those new fangled video games.

In short, what they want to do is elevate their personal aesthetic tastes to the level of morality. As a sort of secular humanist, scientific materialist, atheist transhumanist, libertarian consensualist (read: as the intellectually autonomous person known as Chris Bradley) this sort of thing annoys me, and it annoys me because virtually everyone wants to do it, regardless of their political beliefs.

So, you'll have socialists railing against the injustices of capitalist media, you'll have capitalists wanting to outlaw socialist literature, religious folks wanting to forbid secular music, liberals wanting to stop those violent video games, etc., etc. The elevation of a person's person sense of aesthetics to the point of absolute morality is nearly ubiquitous!

I wonder why that is – why most people feel their own aesthetic choices should be universal. I KNOW there's a lesson in there, somewhere, but I'm having a devil of a time sussing it out. Of figuring out why art gets people so fucking pissed off, so pissed off that they feel the urge to engage in tactics ranging from emotional blackmail to legislation to burning books? Of why they feel that audiences are empty vessels into which artists do nothing but pour their own biases and ideals?

I don't know, but I want to know.

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